- onMarch 8, 2016
- Vol.31 Spring 2016
- byHwang Jungeun
The title of this essay is my name. That’s how I spell it in English. It’s spelled the same way on my passport.
I began learning English in middle school. It was the first foreign language I learned. I remember staring blankly at the words “Good Morning” and “Good Evening” in my textbook on the first day of class, clueless of how to read them (the classmate who sat with me made fun of me at the time, but I had my revenge later when I used her name in a novel…). Soon after the semester began, I went down to the teachers’ lounge with a slip of paper in my hand and waited there for my English teacher. I was curious to see what my name looked like in English and was planning to ask her to write it down for me. Bashful and unaccustomed to making requests of adults, I was on tenterhooks as I waited for her. The English teacher was an old dame who wore thick glasses, read and wrote at a snail’s pace, and, come summer or winter, kept her calves ensconced in socks on account of her varicose veins. Beside the reddish glow of the heater, she mulled over my question for a while before finally jotting down “Jungeun.” So that was the spelling I used whenever I had to write my name in English. Only years later did I learn that I could spell my name as Jeong-eun too, but I stuck to Jungeun because it was shorter.
Jungeun (or Jeong-eun, as it is more commonly spelled) is a fairly common name in Korea. Apart from Hwang Jungeun, names like Park Jeong-eun, Lee Jeong-eun, Kang Jeong-eun, Ko Jeong-eun, Hyun Jeong-eun, Dokgo Jeong-eun, Shin Jeong-eun, Han Jeong-eun, Joo Jeong-eun, Jo Jeong-eun, Jang Jeongeun, Hong Jeong-eun, Woo Jeong-eun, and Oh Jeongeun are also quite common. So I was surprised to learn a commonplace name like mine could be difficult to pronounce in a foreign language.
I realized this in 2014. In fall of that year, I met the Japanese-German writer Tawada Yoko at the Seoul International Writers’ Festival. She told me she couldn’t pronounce my name in German and instead read it as “Yungen.” The pressing festival schedule left me with no time to think about what she’d said, and I simply thought of it as an interesting anecdote. That was how I felt at the time.
I heard that name again on a trip I took after the festival ended. It happened at a hotel in Berlin. The receptionist who was checking my reservation read out my name as Yungen. It was as though she were saying, “Yes, Ms. Tawada, you’re right!” If Yoko hadn’t told me that my name was pronounced as “Yungen” in German, I wouldn’t have heard that “word.” Jungeun and Yungen are so different, I’d never have realized she was calling out my name. I’d have assumed she was uttering one of the many German words I didn’t know or some technical term used at hotels… and would’ve given it no thought. As I’m writing this, a thought strikes me: How is the name of Kim Jungeun (more commonly Romanized as Kim Jong-un), a figure of enduring interest for the international press, pronounced in German? I look it up and find it’s also pronounced as “Yungen.” No, since he uses a hyphen in his name, should it be spelled “Yung-en”? I want to tell my friends, “Listen, Kim Jung-eun is pronounced as ‘Kim Yungen’ or ‘Yung-en’ in some languages…”
Anyhow… back at the hotel in Berlin… “Yungen,” announced the receptionist and I answered, “Jungeun,” to which she countered, “Yungen,” forcing me to reiterate, “Yes, Jungeun,” at which point she checked her records again, then looked me in the eye and spoke.
When I think of my stories being read by foreign readers I feel as if I’m back at that hotel. As I write this essay, I feel as though… I’m staring at the receptionist standing behind that immaculate, expansive, heavy front desk in the hotel lobby. Just like how I’ve never read “Jungeun” as “Yungen,” she’ll probably never read “Yungen” as “Jungeun.” And so, Jungeun can’t imagine Yungen, and Yungen can’t picture Jungeun… By any chance, could this be true for my writing as well? How is it being read? How is it being pronounced? Could my novel or some important part of it be present here but absent there and so be difficult to pronounce or even impossible to pronounce? With no choice, or perhaps quite naturally, is it being read as “Yungen”…? But I’m used to such anxiety and discontent. I’ve had similar experiences with Korean readers on occasion. Sometimes, these situations are refreshing and intriguing. Like when I heard Yoko call me “Yungen.”
The original title of my short story, published in English as “Kong’s Garden,” is “Yang-ui Mi-rae.” Mi-rae means future in Korean but yang can take on different meanings, so when this story was published in Korea, readers were curious about the meaning of the title. Yang can mean sheep, or it can be used with a numeral to indicate quantity, or, very rarely, after a woman’s first name as a Korean equivalent of Miss. Sometimes, it’s used with a woman’s surname, a usage that smacks of condescension. For example, when a girl named Kim Bo-young is addressed as Kim yang, she probably ranks low in her social sphere, isn’t as educated as her peers, doesn’t earn as much as others, and is far removed from important decisions. A few female readers interpreted yang in the title to mean this, but most readers said they thought of sheep when they saw the title. This conjured up different thoughts in my mind.
What I had in mind when I began writing this story was to have a girl who worked temp jobs as my narrator. How would foreign readers interpret “a girl who worked?” Would they take it for granted that she “worked?” How would her “future” be translated? How would the feelings of loss and guilt she never shared with anyone be pronounced by foreign readers?
I’ve never shared this with anyone before, but I wrote this story for my little sister.
by Hwang Jungeun
Hwang Jungeun debuted in 2005 with “Mother,” which won the Kyunghyang Shinmun New Writer’s Award. She has authored the novels One Hundred Shadows, Savage Alice, and I’ll Go On, the short story collections Into the World of Passi, The Seven Thirty- Two Elephant Train, and Being Nobody. This year, she published the serial novel Didi’s Umbrella. Her books in translation include One Hundred Shadows (Tilted Axis, 2016), I’ll Go On (Tilted Axis, 2018), and “Kong’s Garden” (Strangers Press, 2019).