• onApril 20, 2015
  • Vol.27 Spring 2015
  • byKim Nam Jo
Selected Poems of Kim Namjo
Tr. David R. McCann and Hyunjae Yee Sallee


The wind is blowing.
Where the wind blows
to the end of the world
I would follow.

you nourish
the soft-skinned fruit,
but it is the wind that whispers
round the borders of the orchard,
almost but not quite the lonely

Those without a place
to hold them in this life
may have been the winds
of a previous life.
Wearing coat and hat, the winds
may have come to visit.

Fond of the wind, I would go
as the winds go.
They go together,
and though they part,
one goes ahead and waits.
That is what I like
best in the winds.
When the wind blows
I would go with it.
Where it goes, far and far away
I would be its bride.

Author's Profile

Kim Nam Jo was born in Daegu in 1927 and attended a girls’ school in Kyushu, Japan. She graduated from the College of Education at Seoul National University with a B.A. in Korean education. Kim made her literary debut with the publication of her poem, “Lingering Image,” in Yonhap News in 1950 and launched her career as a poet with her first collection of poems, Life in 1953.

Kim’s poems express a subtle and feminine sensibility that carries on a lineage of female poets such as Moh Youn Sook and Noh Cheonmyeong from before Korean liberation from Japan. She is grounded in the Catholic faith and her writing gravitates toward the realm of love and life, with themes of maternity and peace. Her early works pay tribute to the dignity of life. In Life, she writes affirmatively about human nature and delineates the world of passion derived from the fullness of life’s vitality. In her collections A Flag of Sentiments and The Winter Sea, she refined her poetic world with increasing emotion. Her later works became more contemplative and explored the fundamental dimensions of humanism. The poet has confessed she received a mandate to delve into the depths of “love” and “poetry,” and accordingly, has chosen erotic and agape love as the themes of her recent poetic exploration and expression.

With a voice emanating from deep within, Kim Nam Jo has sung about the ultimately positive aspects of life and achieved a beauty of both form and rhythm through fluid language. She has established herself as an eminent writer in Korean modern literature who has become renowned for her poetry about the inner strength that elevates the human spirit.

Kim is at present a member of the National Academy of Arts of the Republic of Korea. The English translation of her poetry, Selected Poems of Kim Namjo, was published in 1993; the Christening of the Wind in Japanese in 1995; the German translation, Windtaufe, in 1996; and Antologia Poética in Spanish in 2003.