"Well, I must be on my way.” The man didn’t even look back as he walked away towards the bank of the stream. He climbed onto the bank, changed his sack to the other shoulder and started down the other side. He disappeared over the bank, first the lower part of his body and eventually the tip of his dog-fur hat. Yŏng-dal stood at a loss for a
while, unable to decide upon a particular direction or road to take. What he needed was a fellow traveller. It would be better, even if the company lasted just for a little while—just somebody to talk to, while he was on the road. Coming out of his bemusement, Yŏng-dal hurriedly followed the man who had just disappeared beyond the river bank. As he reached the top of the bank, he could see the man in the dog-fur hat walking very fast in the distance. He was already entering the path leading to the roadway lined with two symmetrical columns of poplars, looking like bamboo brooms standing upside down. As he ran down the bank, Yŏng-dal called out, “Hey, you there!”
The man in the dog-fur hat paused a moment and turned around, but then kept on walking, Yŏng-dal ran after him. When he caught up with him, he said, gasping for breath, “Let’s go together. I’m going in the same direction as you are, at least up to Wŏlchul.”
The man did not answer.
“Damn it. I never saw a winter like this,” Yŏng-dal spoke again to the back of the other man’s head. “It was good last winter. We had a room, there thousand won a month, me and the barmaid with whom I lived. This winter is terrible. Frozen stiff, that’s what I may become any moment now.”
“Well, one gets used to that sort of thing,” said the other man. “Do you have any idea how far Sampo is? At least several hundred li, that is, to the sea coast, and then we have to take a boat."
“How long has it been since you left Sampo?" asked Yŏng-dal.
“Over ten years,” answered the other man, and he continued, “There won’t be anybody who will recognize me there.”
“Why do you want to go back then?” asked Yŏng-dal.
“For no particular reason,” said the other man. “As I’m getting old, I just feel like visiting it.”
The two men turned onto the roadway. It was easier to walk on the street, as the road was covered with gravel and clay. Yŏng-dal kept his hands in his pockets. He constantly worked them to keep them warm as best as he could. “So damned cold! If only there was no wind,” he said.
The man in the dog-fur hat did not seem to feel as cold as Yŏng-dal did. It was true that he was heavily dressed with a fur hat and a field jacket, but he also looked unusually healthy and robust. He spoke to Yŏng-dal, showing some warmth for the first time: “Did you eat anything for breakfast?”
“No,” Yŏng-dal smiled shame-facedly. “I could barely make my escape in the dark.”
“I haven’t eaten yet myself,” said the other man, “But we’ll have to wait at least until we get to Chansaem. I should have left earlier this morning. I’m now getting to the age when one doesn’t like moving in winter.”
“I didn’t introduce myself. My name is No Yŏngdal,” said Yŏng-dal.
“I am Chŏng.” The other man gave h...
Hwang Sok-yong was born in Changchun, Manchuria in 1943. After the liberation from Japanese occupation, he moved to his mother’s hometown Pyongyang, where he lived with his mother’s side of the family. In 1947, his family moved to the South and he grew up in Yeongdeungpo. Hwang left Kyungbok High School in 1962 and left home to wander the southern provinces. He returned home in October, and in November of that year he won the New Author Literary Prize from the magazine Sasanggye for his short story, “Near the Marking Stone.” Hwang lived life as a drifter, taking up manual labor and temple jobs until 1970 when his short story “The Pagoda” won the Chosun Ilbo New Writer’s Contest and he began his writing career in earnest. He also participated in the Vietnam War.
Throughout the 1970s, Hwang Sok-yong published a continuous stream of works that became well known such as “Far from Home,” “Mr. Han’s Chronicle,”“The Road to Sampo,” and “A Dream of Good Fortune,” becoming a foremost author in the Korean literary world. For the duration of the seventies, he went undercover working at the Guro Industrial Complex and took part in the resistance movement through his membership in the Association of Writers for Actualized Freedom while penning his epic novel, Jang Gilsan.
In the 1980s, Hwang completed his full-length novel, The Shadow of Arms, which shines light on the capitalistic world system during the Vietnam War. He did this all while working tirelessly to organize the fight to spread the truth about the Gwangju Democratization Movement as well as a variety of other resistance movements. After visiting North Korea in March 1989, Hwang was unable to return to South Korea and took refuge as an invited author at the Berlin Academy of Arts. In 1991, he continued his exile in New York. After returning to South Korea in 1993, he was sentenced to seven years in prison, but was released in 1998 after serving five of those years. Following this, he has shown year after year that his creative spirit will not die with the publication of The Old Garden (2000), The Guest (2001), Shim Cheong (2003), Princess Bari (2007), Hesperus (2008), Gangnam Dream (2010), A Familiar World (2011), The Sound of the Shallow Water (2012), and Dusk (2015). He has been awarded the Manhae Literature Prize, the Lee San Literature Prize, and the Daesan Literary Award, among others. Hwang’s major works have been translated and published around the world in countries such as France, the US, Italy, and Sweden.